Accident

Ravi Sundaram - October 24th 2008, 10:10 - 10:40
The accident has been seen as an origin myth for a new prosthetic enhancement to the body in its drive to war (Marinetti). Recently, Paul Virilio calls the accident the diagnostic of technology, its inherent drive to catastrophe. What about the accident as the image of everyday danger in a city? Not an outside, not an inside.

Alert

Meir Wigoder & Irit Rogoff - February 23th, 2007, 17:00 - 17:30

An occupation, military or civilian, is lived out at many different levels, modalities and distances. The suffering that is visited upon those whose freedoms are curtailed, whose movement is blocked and whose lives are threatened is rarely matched by the misgivings of those implicated in inflicting the occupation, or those associated with it through citizenship or other modes of inscription. Our concern here is with the question of how the occupiers might vigilantly live out an occupation beyond the simple rhetorics of resistance.

Alphabetical Order

Annett Busch - September 20th 2008, 17:30 - 18:00

The alphabet produces order. An order which unfolds along the sequence of a limited number of letters but at the time opens up the potential to proliferate with every single letter in an undetermed way. Letters are one of the smallest structural unit that distinguishes meaning without causing meaning itself. The alphabet is an order without meaning, an exemplary order, which is able to link the singular with the general. The exemplary order exists only and through the concepts which have been created so far, and which themselves are uncoupled of their particular and specific fields.

Ambient Fears

Nikos Papastergiadis - October 24th 2008, 10:40 - 11:10

Ever since September 11th not only has the perception of risk escalated but the meaning of fear has changed. At a personal level people have been speculating over their exposure to danger and institutions revising their security measures. Their capacity to cope with threats has been undermined by a loss of trust and morale. Fear has saturated every aspect of life. The American government has had to measure their ambition for global domination against the simmering prospects of revenge and sabotage occurring in their own locale. This level of anxiety is different to earlier forms of fear.

Amphetamine

Hans-Christian Dany - July 22nd 2006, 14:30 - 15:00

Hans-Christian Dany explains the functionality of Amphetamine and its use in the 20ties and then draws a connection to the military usage of the drug regarding particularly its role in friendly fire actions. He refers to a paradox in reference to the rapid technical diversification within the military and the constant use of the same drug like Amphetamin over a long period of time. He is holding his lecture in german.

Anti-War

Saskia Sassen - February 23th, 2007, 17:30 - 18:00

Anti War I think doesn't work anymore as a word. And I want to explore why. Is it that war itself is a situated historical something and we've moved beyond that historical period? Is it that we are no longer positioned in a clear way, so that we can identify war?

Anxiety

Felix Ensslin - February 23th, 2007, 18:00 - 18:30

Anxiety is the only affect that is beyond all doubt, it nevers deceives. This is Jacques Lacan’s elaboration on the subject in his Seminar titled “Anxiety”. In contradisticintion for example to both Freud and Heidegger, he thus complicates the distinction between Fear and Anxiety. For both, the psychoanalyst and the existential-ontological philosopher, the two are seperated by the plus and minus of the presence or absence of an object. For Lacan, anxiety “n’est pas sans objet - is not without an object....

Arms Race (Architectural)

Ines Weizman - Friday, June 2 16:30 - 16:55

An architectural arms race is a competition between two or more countries for supremacy through the means of architecture and urbanism. Each party competes to produce architectural imagery or concrete built form to achieve a relative gain over the other. Such gain could be accounted for either symbolically, or physically interfering with urban practices in the country of the opponent.

Ashwatthama

Raqs Media Collective - October 13th 2006, 17:30 - 18:00

Ashwatthama is a character in the Mahabharata, cursed to live forever, as a kind of wandering warrior.

Asymmetric Warfare

Raul Zelik - October 13th 2006, 18:00 - 18:30

At first the notion of »asymmetrical war« is a description of a more or less obvious phenomenon: since 1945 there are less and less wars between states and more and more conflicts between regular forces on the one side and irregular formations on the other side. The state-to-state war - predominant in the time after the Peace of Westphalia in 1648 - was characterized by two similar kinds of army: a symmetrical disposition.

Attitudes

Egdar Schmitz - October 13th 2006, 18:30 - 19:00

Aufräumen

Diedrich Diederichsen - October 13th 2006, 19:00 - 19:30

(1) the image of people cleaning up their houses and streets, and what's left of it after they been attacked, bombed etc.
(2) the myth of Trümmerfrauen cleaning up the rubble in post-war Germany, when, at the same time, the trope auf cleaning up was strong as a right wing trope of law and order, and even war
(3) the antagonism of negentropic cleaning up and entropic war.

Ausnahme

Michael Hirsch - October 13th 2006, 19:30 - 20:00

»Sovereign is he who decides on the exception.« This is Carl Schmitt’s famous definition of the problem of sovereign state power. It is the definition of the threat of sovereign state power in two meanings of the word: the »normal situation« is threatened by chaotic, an-archic troubles; and it is threatened by a sovereign state who re-establishes the normal order by stepping outside of the rule of law. (..:) Giorgio Agamben has, with regard to the imperialistic world politics of the USA (and with regard to Italy under Berlusconi) strengthened Schmitt’s thesis and has formulated with Walter Benjamin: »The state of exception we are living in is the rule.«

Autoxylopyrocycloboros

Simon Starling - February 23th, 2007, 18:30 - 19:00

Autoxylopyrocycloboros (2006) took the form of self-defeating journey in a small wooden steam boat. The voyage, made on the waters of Loch Long, Scotland, home to the Trident submarine base and neighbouring peace camp, was fuelled with wood from the boat itself, as plank by plank, piece by piece, it was feed to its own boiler, until inevitably disappearing into the submarine infested depths of the Loch.

Bang! Bang!

Albert Heta - January 25th, 2008, 17:30 -18:00

Kosovar Pavilion Venice Biennial 2005, did not confuse only those who cannot distinguish what is an Albanian and what is a Kosovar pavilion, artist or identity but seemingly also players of the great structure of the ancient contemporary art power elite that eventually accepted apologies by the used instrument of this work (e-flux) for challenging their Biennale with a tool of their own system and continued to live on in harmony as nothing had happened in the West (Sunday, color video, 3.01 min.). These works stand and mark a time and a context that is full of Bang! Bang! (Bang!

Blank Space

Annett Busch & Florian Schneider - October 24th 2008, 11:10 - 11:40

"To open to civilization the only part of our globe which it has not yet penetrated, to pierce the darkness which hangs over entire peoples..." With these words the "King of the Belgians", Leopold II. welcomed the participants of the "Geographical Conference" that took place in September 1876 at the Royal Palace in Brussels. Only nine years later nearly one million square miles in central Africa, an area that Joseph Conrad once called "the blankest of all blank spaces", has been named the "Congo Free State". For the next 23 years it was the private property of Leopold II.

Camouflage

Stefan Römer - July 22nd 2006, 15:00 - 15:30

The concept of »Camouflage« in its traditional military sense has been classified always as national representation. To camouflage Stefan Römer adds another military concept: showing the flag - which got another connotation during Football Worldchampionship 2006 in the privatized and corporated public spaces. As opposed these methods might be in their intention, they seem to serve the same system of representation as the same cultural practices. Speaking about piracy, both methods appear in a single constellation. Could this open up new spaces of action for non representative practices? Stefan Römer is holding his lecture in german.

Camp

Manuel Herz - July 22nd 2006, 15:30 - 16:00

Manuel Herz, an architect based in Cologne, analyzes the concept of »Camp« rather in an abstract way but in a specific location, in Chad. One of the poorest countries in the world, pumping oil since several years without any positive effects on the income of the local population, became one of the most important areas for refugees from different countries. Manuel Herz is talking in english, below you'll find the paper of his lecture in german.

Change of Game

Jarbas Lopes - September 4th

Civil War (A quiet)

Thomas Campbell - January 25th, 2008, 18:00 -18:30

Over the last fifteen years, many parts of the former Soviet Union have been devastated by civil war and other disruptive armed conflicts. Despite this glaring fact, it has often been stated that the break-up of the Soviet Union was a remarkably "bloodless" affair.

Cold, Coldness, the War of Coldness

Shih-Chieh Ilya Li - October 24th 2008, 11:40 - 12:10

As the Russian army invaded the Georgian territory, right in the same day China celebrating its "one world, one (Olympic) dream", mainstream media soon were flooded with the term "new cold war". Russia is back, and right now United States of America is facing its most serious, urgent, catastrófico economic Recession that is going to influence the world. For the western journalist, cold war was over decades ago, and the "new" is coming back to haunt the world with it's new axis, new friends, and new competition.

Collaboration (1)

Florian Schneider - January 25th, 2008, 17:00 -17:30

The original idea of the DICTIONARY OF WAR traces back to an event we have been organizing almost three years ago in Tarifa, in the very south of Spain. At BORDERLINEACADEMY, where about two hundred artists, activists, theorists met, we were realizing that although we might share some basic beliefs, convictions or attitudes there is a surprising lack of understanding since specific keywords or buzzwords were conceived in tremendously different ways and notions.

Collaboration (2)

Galit Eilat - January 25th, 2008, 18:30 -19:00

"Collaboration" is a structure, where two or more people work together toward a shared aim―typically for an intellectual or cultural project that is creative in nature. Yet, "Collaboration" acquires a very negative meaning as referring to persons or a groups which help an occupier or enemy of their country. What are the benefits and dangers of cultural collaborative projects between Palestinians and Israelis when any kind of collaborative structure is acknowledged as collaboration with the enemy?

Collection

Nebojsa Milikic - January 25th, 2008, 19:00 -19:30

The guided tour through an art-collection assembled in the period between 1986/7-1996/7, which is the period of the outset and ongoing of wars in Yugoslavia. How social and political agendas were absorbed or radiated through the process of selection - as seen in the content and concept of works. Which ideological and class positioning of the collectioner could generate motives, guide decisions or get blended into todays appearance of the collection.

Coloniality

Soenke Zehle - February 23th, 2007, 19:00 - 19:30

Coloniality, no longer an awkward major paradigm but an agile minor concept, enters the mise en scène of William Kentridge's »black box« (Germany/South Africa 2005) and its reenactment of Germany's most recent Historikerstreit to report on various passions for the real.

Comrade

International Festival - June 2nd 2006, 17:00 - 17:15

I declare war on damaged hair and split-ends.
Victory!
Because I'm worth it.
Kate Moss for L'Oreal The film Comrades venture into the convention of representation, male friendship and the ability to engage emotionally in Hollywood war movies. What notions of friendship and community is it that film industry wish to provide, and how does it differ in respect of the political realities of different time periods. We are Swedish. We surrender.

Concept Person

Florian Schneider - September 20th 2008, 18:00 - 18:30

Conditional Surrender to the City of Gardens

The Errorists - October 13th 2006, 20:00 - 20:30

An experiment in teleology via a syntax octopus of popsongs. DNA is a syntax, which names an ideal fruiting endstate: a productive human, a reproductive frog, etc. This name for the future-state elaborates in response to experience-towards structural realization at full-resolution/reality. Human Rights and DNA are names for that set of infrastructure economies-the organs comprising a body- that allow the individual cells to experience at the next absolute scale of economy. This in contrast to the thoroughly discredited micro-incrementalist reactionary future-gaming of war and market masters. Oh the poor old market, the poor old web- precious self-elaborating logics- in desperate need of colleague economies. In need of the Multiple Transnational Infrastructure Economies which will use the extracted refined and recombined modernist materialism to form the infrastructure trellis that can support the elaboration outwards, of the next absolute scale of economy: The World Organ Economies, The Global City of the Gardens.

Conflict within Peace, Peace within Conflict

York W. Chen - October 24th 2008, 14:00 - 14:30

In his lecture entitled Conflicts within Peace, Peace within Conflicts, Dr. Chen will discuss the unique situation of simultaneous war and peace that seems to exist across the Taiwan Strait. It goes without saying that the cross-strait political relationship is an extremely unusual case in international politics, and although most countries don't acknowledge Taiwan's nationhood and maintain it is a part of China, Taiwan is active on the international stage as a sovereign and independent national entity.

Conflicted/Inflicted

Susan Schuppli - June 2nd 2006, 17:30 - 17:55

"Conflicted/Inflicted" is a video based upon a found telephone answering machine tape belonging to someone named Linda. As we listen to the audio, the crisis and tensions in her life are slowly revealed.

Continuity

Chung Seoyoung - September 5th, 12:45 - 13:00

We could find a definition for the word "continuity" as such: "A detailed script or scenario consulted to avoid discrepancies from shot to shot in a film, allowing the various scenes to be shot out of order." While all possible kinds of "wars" are going on in the world all "possible details" disappear. But details are the bridge towards what makes life more real and interesting. By disappearance of the detail, absurdity evolves in reality and the aspire to continuity is a strong contest around this absurdity.

Corridors of Subjection

Angela Melitopoulos - June 3rd 2006, 20:00 - 20:20

Timescapes/B-Zone (Becoming Europe Zone) is a collaborative, non-linear video editing project investigating techniques of narration against the power politics of the segmentation of memory and communication located in a (post-) war zone where state politics concerning migration and mobility are thought of as warfare.

Counter imaging

Erden Kosova - January 25th, 2008, 19:30 -20:00

After a period of relative normalisation, the politics within the Republic of Turkey has been drifted again into serious conflict. The rise of the governing party, which has its roots from the Islamic movement and which tries now to fuse cultural conservatism with rampant neo-liberalism, has disconcerted the established actors of the regime (army, bureaucracy and the urban bourgeoise) and the urban middle class in the West of the country which feels threatened by the heedless nouveau riche emerging from the conservative provinces.

Dark Matter

Gregory Sholette - October 24th 2008, 15:00 - 15:30

Sholette's research into politically-engaged artists' collectives raises the following proposition: cultural economies are secretly dependent upon a sphere of hidden social production involving cooperative networks, systems of gift exchange, unwaged labor, and collective forms of practice that act as a type of missing mass or dark matter, which the art world typically refuses to acknowledge. Thanks in large part to the spread of digital networks, however, this dark matter is getting brighter.

Davos/Dubai

Christian von Borries - February 23rd 2007, 19:30 - 20:00

exploitation / imagineered urbanism / islamic banking / laundered dollars / permanent exception / slavery in the 21st century / The World Economic Forum Davos / "The world" island resort, Dubai

Defeat

Nora Sternfeld - July 22nd 2006, 16:30 - 17:00

At 12 o'clock on April 8, 2005, in the Ostarrichi-Park in front of the Landesgericht (the regional court), a temporary monument to the defeat was unveiled that triggered a debate on the process of denazification and made an issue of the fact that this process was still unfinished today. The eight-sided object was conceived as a monumental plinth and it measured 2 meters in height and had a circumference of 11 meters. Nora Sternfeld presents her concept in german but below you could read the english translation.

Déracinement

Christine Frisinghelli - October 13th 2006, 20:30 - 21:00

Der Begriff der "Entwurzelung" orientiert sich an dem von Pierre Bourdieu gewählten Begriff "Déracinement / Uprooting", der gleichzeitig den Titel eines von ihm in Zusammenarbeit mit Abdelmalek Sayad 1964 veröffentlichten Buches bildet. Gegenstand dieser Studie sind die tiefgreifenden gesellschaftlichen Auswirkungen der französischen Kolonialpolitik (seit 1830) und des Unabhängigkeitskrieges (1954-1962) auf die algerische Bevölkerung. Vor allem die Umsiedlung großer Bevölkerungsgruppen insbesondere im ländlichen Raum in die Centres de regroupement, von der über 2 Millionen Algerier (ein Viertel der Gesamtbevölkerung) betroffen waren, ist eine der brutalsten Vorgänge dieser Art der Geschichte und wurde von Bourdieu/Sayad in ihrer Studie exemplarisch analysiert.

Desertion

Avery Gordon - July 22nd 2006, 17:00 - 17:30

Absent without permission, it's not only soldiers who desert, or should consider it. What does it mean to be a deserter or to practice desertion? Not furtively, but as an outlaw, a fugitive? Some brief thoughts on disobedience, desertion and other promising conduits to abolishing the disposition to war.

Digital Despair

Geert Lovink - January 25th, 2008, 20:00 -20:30

The war in Iraq, from 2003 to the present, is the first war covered by bloggers. Salam Pax caused a stir by reporting online the last months of the Sadam Hussein regime and the US invasion. During the short summer of media freedom (2003-2004) Iraqi weblogs popped up in great numbers. Four years later we find ourselves in midst of a pool of 'digital despair'. Most bloggers have left the country and report from Damascus, Amman or London. Humor and irony have vanished. Some became news professionals, others turned silent.

Disappeared

Sylvere Lotringer - February 23th, 2007, 20:00 - 20:30

People don’t just disappear in wartime, they also disappear in broad daylight. Los Desaparecidos. Not accounted for, never to be seen again. Some are lucky enough to survive, but they are not in peace for all that, they become the war. Through their reactions, they reveal a reality that may not be accessible in any other way : the war is never over. It is simply simmering under the surface, ready to burst out at the slightest opportunity and show itself for what it is. War has become one with peace as death has become one with life.

Disziplin

Ulrich Broeckling - July 22nd 2006, 17:30 - 18:00

Disciplining in order to fight is "hot" - it mobilizes, transgresses and fuels the passions. Disciplining in order to effectively use force is "cold" - it controls, regularizes, and curbs the affects. The mix ratio is changing and the history of military disciplining can be described as a change between rather "hot" and rather "cold" epochs. Ulrich Bröckling is talking in german but below you could read his lecture in english translation.

Eating Rawness

Jean Matthee - January 26th 2008, 16:00 -16:30

“Man tries to satisfy his need for aggresion at the expense of his neighbour, to exploit his work without compensation, to use him sexually without his consent, to appropriate his goods, to humiliate him, to inflict suffering on him, to torture and kill him”. (Feud); To find the path of desire is to encounter on routethe bad character of the drives, settled at the heart of all subjects who have to recognise it. Who am I?

Electronic Soldier

Stefan Kaufmann - October 13th 2006, 21:00 - 21:30

Der neue Soldat – meist als electronic soldier bezeichnet – trägt die Insignien des Informationszeitalters: in seinem Rucksack befindet sich ein wearable computer; sein Helm ist mit einem heads-up display, integriertem Ohrhörer und Mikrophon bestückt; Funkgerät und Antenne schließen ihn permanent an ein ge-fechtsfeldumfassendes W-LAN an; die Waffe lässt sich mit zahlreichen optotroni-schen Komponenten, wie Nachtsichtgerät und Videokamera, ausrüsten; GPS und andere features ergänzen die Rüstung. Und in der Tat lässt sich der electronic soldier als eine Figur an der Front der Informationsgesellschaft begreifen.

Entertainment

Emil Hrvatin - February 23th 2007, 20:30 - 21:00

and to present various approaches to entertainment in different armies today as well as to question why don't we have entertainment for peacekeeping soldiers on international level. Lecture will consist on presenting documents as well as a part of documentary about American Military Theatre festival I am busy with.

Exergue

Irit Rogoff - June 2 16:00 - 16:15
I am here to function as the exergue, as that which comes in advance of an argument or the playing out of a hoped for argument. The exergue is a citation, a found object or quote which alerts us to both what might be coming but also establishes its relation to previous thought. In part the exergue establishes a heightened atmosphere of what is to be expected, a frisson that communicates the intention and the spirit behind that intention in advance of the thing itself.

Featherman

Azza El-Hassan - June 2nd 2006, 18:30 - 19:00

The Featherman a word that I belive should be included in the dictionary of war. It is the desire and the act of transforming ones self in order to resemble "the other" the enemy. This desire and act usually arises in situations of complete defeat where you find yourself incapable of confronting the other except by mirroring him/her.

Flexibility

Eyal Weizman - June 2nd 2006, 19:00 - 19:30

Flintenweib

Andrea Moll - February 23rd 2007, 21:00 - 21:30

»Flintenweib« ist eine auf deutscher Seite gebräuchliche feindliche Bezeichnung für die sowjetische Soldatin im Zweiten Weltkrieg, sie wurde in Propaganda und Befehlsgebung der Wehrmacht angewandt – mit mörderischer Konsequenz. Der Begriff „Flintenweib“ äußert auch eine soziale Konstruktion des Weiblichen und Männlichen im Krieg.

Four Notions on War

Wong Hoy Cheong - October 25th 2008, 13:30 - 14:00

Full Spectrum Dominance

Kerry James Marshall - September 4th, 16:50 - 17:20

The objectives of the United States government as outlined in a document called the Joint Vision for 2020 are to achieve this thing they call "full spectrum dominance". The goal is to not allow any other nation or group of people on the planet to achieve a competitive level of development that can challenge the dominance of the United States in any sphere of influence, meaning militarly, economically and meaning in some ways socially.

Ghetto Ambient

Sebastian Meissner - January 25th, 2008, 21:30 -22:00

Ghetto Ambient explores urban and rural environments frequently described as “non-places”.

Helikopter

Heinrich Dubel - February 24th 2007, 14:00 - 14:30

The essence or the hidden identity of the helicopter appear as a dichotomy; on the one hand a total threat coming from above, something you cannot possibly escape from, the all-seeing flying eye in the sky, the omnidirectional warmachine; and at the same time, its opposite: a rescuer coming from the air, from heaven above, as an angel. One aspect of this idea is of release (or freedom): Release from threat and fear but also freedom that can be attained if you grow above and beyond yourself. This cipher of evil and illumination is united in the image of the dragon, the snake of fire or the plumed snake. Such basic figures emerge from an meta-individual archetypal reservoir of images of the human psyche traversing the mythologies of many different peoples.

Heraklit

Marcus Steinweg - February 24th 2007, 14:30 - 15:00

Heraklit ist der Philosoph, der die Welt, d.h. die Seinstotalität, als KRIEG gedacht hat, als POLEMOS, WIDERSTREIT (eris), AUSEINANDERSETZUNG, ZWIETRACHT, WERDEN. Mit Heraklit ist der KRIEG zu einer ONTOLOGISCHEN GRÖSSE erhoben. Seitdem gibt es ONTOLOGIE nur als ONTOLOGIE DES KRIEGES und als KRIEGERISCHE ONTOLOGIE. Vielleicht ist Heraklit der PHILOSOPH, von dem sich die ABENDLÄNDISCHE PHILOSOPHIE (d.h. Die PHILOSOPHIE ÜBERHAUPT) nicht erholen kann und nie wird erholen können. Vielleicht liegt hier das ERBE der HERAKLITISCHEN KRIEGSKUNST: das DENKEN, die PHILOSOPHIE, jenseits der PAZIFIERUNG zu situieren.

Heroes

Thomas Draschan - October 13th 2006, 21:30 - 22:00

Hindutva and Islamism: Twins in Annihilation

Ranjit Hoskote - September 5th, 13:45 - 13:00
Hindutva and Islamism are both movements of revanchism and annihilatory impact, which claim to speak in the name of a pure religious tradition that has been tainted and threatened by alien influences. In a zone of cultural confluence such as South Asia, these global movements are at war with one another: to Hindutva, secular modernity as well as Islam and Islamism are the enemy; to Islamism, secular modernity as well as Hinduism and Hindutva are the enemy.

Homefront

Michalis Pichler - February 24th 2007, 15:00 - 15:30

God Bless America

EXTRA CHEESE / SAUSAGE / MUSHROOM / PEPPERONI / CB/HAM / BLACK OLIVES / BEEF / ONIONS / SPECIAL / CUSTOMER

Homeland Security Advisory System

Stephan Trüby - February 24th 2007, 15:30 - 16:00

Since 2002, a blueprint for escape route coding has been in place in the United States: the colour-coded terror alert levels set by the US Department of Homeland Security (DHS), called “5 Codes”. Even though the colour sequence does not correspond with the rising wavelength of the colours in the spectrum (blue comes before green), the US government was still clever to choose the rainbow motif, as the “Rainbow Warrior” Isaac Newton with his prismatic analysis of “white divine light” made a major contribution to the dawn of the age of risk . The 5 Codes are exit and relaxation codifications in the age of an outside inside the law. Woven into them is a subtext of readiness, flight and evacuation measures. Sometimes they keep a population on their toes, sometimes not, they slow the tempo down and speed it up as well. They are invisible distribution corridors with regulators for the flow of movement, rudimentary notations of a state choreography for a country that is escaping.

Hostis Humani Generis

Lawrence Liang - October 14th 2006, 14:00 - 14:30

Abstract wars demand abstract enemies, and the Hostis Humani Generis (or the enemy against all mankind) is a title that has been bestowed on a host of figures; starting with the pirate and now the terrorist, I seek to understand the links between property, piracy and terrorism and propose that the concept of Hostis Humani Generis helps us understand the idea of war as a continuation of property by other means.

Hysteria

Hassan Khan - September 5th, 13:15 - 13:45

An associative and casual listening session to examples of shaabiyat tracks produced and distributed in Cairo over the past three years. Khan will discuss how the taboo becomes totem, the self hysterically claims a space, and aggression and paranoia become productive cultural operations, his evidence a collection of tracks that he finds to be the most interesting, surprising, and exciting cultural product to come out of his home town for a very long time.

Insulation

Ashok Sukumaran - October 24th 2008, 16:00 - 16:30

Insulation is the silent twin of "mediation".
It is the wrapper of refusal that surrounds and protects an act of transmission, of exchange, or of transport. It is then a systemic, "objective" part of the ways in which we distribute ideas, information, and materials.

Jeunesse fougue

Abdoulaye Konaté - September 5th, 17:30 - 17:33

Bonjour, l'idee de jeunesse fougue pour moi c'est inconstant de lieu. Je remarque aujourd'hui que beaucoup de presidents sont tres jeunes et surtout qui sont doté d'une puissance incroyable, d'une puissance sur le plan armement, sur le plan nucléaire, avec une force de frappe incroyable. Ceci dit, quand un jeune president qui metrise, qui a à sa possession une certaine quantité d'armes decide d'aller en guerre, nous avons constaté que rien ne peut l'empecher de faire la guerre. Même l'opinion international ne peut pas l'empecher de faire la guerre.

Jihad

Okwui Enwezor - September 6th, 12:00 - 12:45
My presentation this afternoon will continue on some of the themes that I explored in my conversation with Jo Ractliffe a few moments ago and I am speaking about Jihad but also would like to use the opportunity to link this question of Jihad to what I call incasarated life, to look at the relationship of contemporary arts and the security state. I think it's been in a very much part of the lexicon of the emergency in which we're operating today to speak of Jihad from the point of view of a nihilistic practice, of senseless violence, violence that has no ethical core.

Kljuc

Teofil Pancic - January 25th, 2008, 20:30 -21:00

A novel... The last night I slept at home was the night of December 29th, 1991. After that night I have been going to bed and been waking up in many other places, of which at least one I could , with a lifelong engrafted caution, even call my home, but no, never again after that night have I slept at home, I was never at home at all, nor I will ever be at home again, even if I would go back to that place, the place where the home was.

Komplizenschaft

Gesa Ziemer - October 14th 2006, 14:30 - 15:00

Komplizenschaft wird als kühles Plädoyer für einen kritischen Lebensentwurf, der sich als Alltagspraxis versteht und weniger das Feld der Kunst tangiert, vorgeschlagen. Komplizenschaft steht für eine mikrogemeinschaftliches Arbeits- und Lebensform und ist ein Beispiel für die Kraft des Schwachen. Anhand von 18 Regeln begründe ich, dass Komplizen nicht nur Mitdenker, sondern vor allem Mittäter sind. Komplizen sind keine Strategen, sondern Taktiker, die es vermögen mit den Ereignissen zu spielen und günstige Gelegenheiten zu ergreifen. Eng miteinander verflochten schreiten sie zur Tat. Sei diese Tat legal oder illegal – genau diese Doppelstruktur macht ihre Faszination und Schlagkraft aus. Weil sie eigene Gesetze kreieren, die sie mehr binden als das geltende Recht, lancieren sie alternative Ordnungen, die Machtstrukturen transparent machen und temporär verändern.

Kosovo and corruption

Verica Barac - January 25th, 2008, 21:00 -21:30

How did these two subjects come together, when it was perfectly clear that we have learned this lesson seven years ago - existential problems of the citizens and their families cannot be resolved by resorting to nationalism? The fact that proves that we knew this back then are the citizens who voted for democratic options in 2000 and left nationalist parties without support.

Kriegserklärung

Andcompany&Co - July 22nd 2006, 16:00 - 16:30

andcompany & Co. Feat. Alexander Karschnia, Nicola Nord, Sascha Sulimma & Co.
In their lecture performance KRIEGSERKLÄRUNG they will explain and declare war at the same time, talking in stolen words, quotes borrowed from John L. Austin until Vladimir I. Lenin. For supplementary reading please check out the text "Die Kriegserklärung " by Karl Marx

Kriegsgefangenenlager

Andreas Hiepko - October 14th 2006, 15:00 - 15:30

Kriegsmaschine

Nicolas Siepen - June 2nd 2006, 19:30 - 20:00

A montage of two kinds of montage, two types of assembling images about, in between, beyond, as a war machine within the images themselves. A fine line between love and hate: 1. Jean Genets »Un chant d’amour« (A love Song) – how to make love through a wall and que(e)r it (smoke). 2. The Godard/Gorin/Mieville machine »Ici et Ailleure« (Here and elsewhere) – how to use a two-image-assembly to ruin the War Machine as montage itself - are we not mature to read an Image yet? (Fascism)... in-between: GODARD - embedded War Machine ...

Liberation

Ivan Kucina - July 22nd 2006, 18:30 - 19:00

Every war needs a positive notion - one could be: »Liberation«. Ivan Kucina, architect and lecturer based in Belgrad, speaks about two workshops with his students, questioning the diverse meanings of »liberation« and shows a short documentary.

Life support

Carl Michael von Hausswolff and Thomas Nordanstad - June 2nd 2006, 20:00 - 20:25

Loyalty

Sam de Silva - October 24th 2008, 16:30 - 17:00

The tactic of killing in the name of loyalty places the non-fighter, the peacemaker - the journalist, the ordinary person - in to the war and the zone of fire. The Tamil Tigers, a militant group, branded terrorists by the US, Europe and Canada, has a track record of killing people from their own ethnicity, who challenge their strategy. Journalists who write critically against the Government or contribute to "demoralising" the army are attacked, disappeared and killed.

Luftraum

Christof Kurzmann - June 2nd 2006, 20:30 - 21:00

when the iraq war started i made a composition called "the air between". a work about powerlessness. now, quite some time later, and with the images of the war distributed by cnn, bbc, ... i examine what's left of the emotions. how do i/we remember?

Magician

Jonathan Allen - February 24th 2007, 16:00 - 16:30

»Once we fully recognise secular magic's role as a cultural agent, our sensitivity to the play of puzzlement, fictiveness, and contingency in modernity will be heightened.« Simon During, Modern Enchantments (Harvard 2002) »The purpose of this paper is to instruct the reader so he may learn to perform a variety of acts secretly and undetectably. In short, here are instructions for deception.« Some Operational Uses for the Art of Deception, Commissioned for MKULTRA (CIA) from magician John Mulholland in 1954.

Manhood

Willem de Rooij - June 3rd 2006, 14:30 - 15:00

"Representing manhood in the American war against terror: Pat Tillman and Scott Helvenston": Both Tillman and Helvenston played out traditional masculine roles in American public life before enlisting for combat in Afghanistan and Iraq. The events that followed would colour the personas they had constructed earlier.

Marschgepäck

Hans Nieswandt - June 3rd 2006, 16:00 - 16:25

Es gibt einen Einsatz. Man wird irgendwo ein- und wieder ausgeflogen. Das schwere Marschgepäck...

Mine

Thomas Plischke + Kattrin Deufert - June 2nd 2006, 21:00 - 21:20

The video proposes a sensual study on the fragmented self. The I as container can not contain itself. Selfcontainment is an unfinishable process of oneself being there for the first time and placing yourself and being placed in a constructed historical order. If I was you who were you then? The video is based on Gherasim Luca's "The Inventor of Love".

Mobilization

Akram Zaatari - July 23rd 2006, 12:00 - 12:30

The artist Akram Zaatari defines Mobilization as a kind of eternal propaganda. He is reading a text he wrote some weeks ago describing how found footage and the process of collecting documents became crucial for his work and finally shows his latest video, a work about mobilization.

Mukaddimah: Le Bout du Monde/Anwal

Abdellah Karroum - September 5th

Na tragu mitologije

Jovan Divjak - January 26th 2008, 14:30 -15:00

Remotely contributed concept by Jovan Divjak, former general in the Bosnian army during the 1992-1995 Bosnian War. He was the highest ranking ethnic Serb in the army and one of its most educated and experienced officers. On April 8th, 1992, Divjak became Deputy Commander of BiH's Territorial Defense forces and a month later oversaw the defence of Sarajevo from a major JNA attack.

Narrating a time of war

Praneet Soi - September 5th, 12:30 - 12:42

I should begin by saying that I am a painter and talking about war or images of war is something that I have been exploring for a long time, specifically images coming out from what has been labeled as terrorism. Muslim fundamentalism is a subject which has become very intersting for me, coming from India and living and working in Europe.

National Anthem

Julieta Aranda - July 23rd 2006, 12:30 - 13:00

How does nationalism relates to the context of art production? Which countries are showing up regularly within the circle of international art exhibition - and which won't and why?

National Mythomania

Zelimir Zilnik - January 26th 2008, 14:00 -14:30

Screening of the inserts from Žilnik's movies: OLD TIMER (1988), TITO'S SECOND TIME AMONG THE SERBS (1994), EUROPE NEXT DOOR (2005) and WILD CAPITALISM (2008). Inserts are illustrating thesis how former Yugoslav political elite since the middle of the 1980s, after longterm conflict around Tito's inheritor and heritage, dismissed internationalism and self-management as axioms of the state's foundaments. Engineering of tribalizing of people was put in motion, together with ideology of nationalistic mythomanie and re-sentiments.

NATO (as Architectural Critic)

Srdjan Jovanovic Weiss - June 3rd 2006, 15:00 - 15:30

On NATO's misunderstanding of cultural history and its effects on the decision to bomb certain buildings in Belgrade.

Negotiation

Sergej Goran Pristaš & Ivana Ivkovic - October 14th 2006, 15:30 - 16:00

In a format of an (in)operative interview we will try to negotiate in a polarized field between Jan-Luc Godard's movie "Here or Elsewhere" and Ivana Sajko's play "Ribcage" which we once used to root our thematization of war. Silence and waiting and questions and oblivion are the keywords of our small performance machine.

Neutrality

John Palmesino - June 3rd 2006, 15:30 - 16:00

Two points seem to be particularly interesting when we think of neutrality as a mean to manage postcocolonial, ethnic, racial, gender, political, social, military, technological, cultural transitions, as a dispositf of change of the contemporary space, tuned to balance the conflictual forces that flare up in almost every human settlement.

NSK GARDA

Irwin - January 26th 2008, 15:00 -15:30

NSK Garda refers to the project in which the slovenian art group Irwin collaborates with various European armies. In these actions soldiers, with Malevich's cross on their sleeves, raise and guard the flag of the NSK State in Time. In that sense it is not really a performance but more some sort of tableau vivant of the real army wearing a Malevich cross. Art society and army society are social structures that are usually totally opposite to each other and very rarely mix. With this action Irwin is organizing this encounter.